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THERE WAS great excitement at the announcement that Enda Walsh and Cillian Murphy would be teaming up again to bring Max Porter’s remarkable book, Grief Is The Thing With Feathers to the stage, and that the production would premiere at the Black Box Theatre next March.

Coláiste Chiaráin transition year students are gearing up to present the timeless classic, Fiddler on the Roof.

For the past four years Anne McCabe has enjoyed a fruitful tenure as artistic director of An Taibhdhearc but that reign has come to a surprise ending following the theatre board’s decision to abolish the position.

For anyone who has a love of Irish traditional music, The Pillar House in Ballinasloe on Wednesday, November 8 is the place to be.

FRANZ FERDINAND play only two shows in Ireland in 2018 - and one of them is in Galway, with the Scottish quintet in concert in Leisureland, Salthill, the day after they release their new album Always Ascending.

KATIE KIM, the slowcore, ethereal, ambient folk/pop singer-songwriter is coming to Galway to play the next FEAST night at the Róisín Dubh, performing songs from her new album, Salt.

WHEN XTC’S Colin Moulding presented the band with ‘Making Plans For Nigel’, it immediately appealed to band leader Andy Partridge who felt the melody “reminded me of Gilbert O’Sullivan”.

The experience of an authentic Irish pub, a live trad session, and a taste of real Irish beer and whiskey are top of tourists’ to-do lists on their visit to Ireland, but the impact of Brexit and high alcohol excise tax will hamper drinks industry growth and with it the tourism sector.

Elaine Mai will perform live at upstairs on Bridge Street as part of the Finbar Hoban Presents series on Friday, November 11. Since the release of her last EP in 2014, Mai has been expanding on her previous critically acclaimed live performances, experimenting with her live show, as well as her approach to song-writing and production.

AFTER ZIGGY Stardust, The Gouster soul boy, and The Thin White Duke, where could Bowie possibly go next? The answer lay, not so much in the mask of a character, rather it lay in a location, one where Bowie could feel free to be, perhaps, a little more himself.