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Roofman is a familiar story, following well-meaning, charismatic heroes who resort to ill-judged, desperate, decision making.

I Hope We Can Still Be Friends is the innocent-sounding title for a new, revenge thriller filmed around Galway to be premiered tonight, Thursday, July 10.

On this day, June 26, one hundred years ago, the Sisters of Jesus and Mary bought Spires House in Shantalla. Three of the sisters in the order had come to UCG the previous year to study for a degree and while they were in Galway, Mother Stanislaus looked for a suitable premises for a house of studies for them and finally purchased this premises. The house dates from the 1840s and got its name from the two unusual spires you can see on the roof. The building was used by the sisters as a hostel for secular students as well as their own nuns and these nuns became known locally as ‘The Spires Nuns’.

Catherine’s life is changed the moment she discovers her husband dead, alone and motionless inside their glasshouse. What unfolds over the following days is a raw exploration of grief, financial hardship, isolating rural loneliness, and a fierce emotional awakening that challenges everything she thought she knew.

Artistic Director for the Abbey Theatre Caitríona McLaughlin has presented the 2024-2025 Siobhán McKenna Scholarship to University of Galway MA in Drama and Theatre Studies student Chen Rui (Daphne).

Craic House Pictures and Hot Machine Films are pleased to announce the conclusion of principal photography on the feature film, I Hope We Can Still Be Friends. Filming began January 7, in Co Galway, with Irish producers Emmett Hughes and Jordan-Lee McGrath joining forces with American director-producer Aisha Tyler to bring this nuanced psychological thriller to the big screen.

Craic House Pictures and Hot Machine Films are pleased to announce the conclusion of principal photography on the feature film, I Hope We Can Still Be Friends. Filming began January 7, in Co Galway, with Irish producers Emmett Hughes and Jordan-Lee McGrath joining forces with American director-producer Aisha Tyler to bring this nuanced psychological thriller to the big screen.

This iconic building dates from the late 16th or early 17th century. It has two-bay elevations on two streets, a beautiful three light oriel window with mullions and a transom in at the back. It also has a slight buttress or batter at the base of the outer wall, as has the building now occupied by Evergreen at the top of High Street. The premises has a long and interesting history.