Search Results for 'William Orpen'

‘The proposal to build an art gallery over the River Liffey to house the donation to Dublin of Sir Hugh Lane's art collection has been strongly criticised by the businessman and newspaper proprietor, William Martin Murphy.

In the closing weeks of the summer of 1913, there was intense activity at Coole Park, the heart of the Celtic Literary Revival. The considerable energies of both Lady Gregory and WB Yeats were fully committed to supporting Gregory’s nephew Hugh Lane, and his quest to establish a municipal gallery of modern art in Dublin.

In 1968 Des Kenny, a Galway bookseller, was preparing to open a commercial art gallery in Salthill, the first of its kind outside Dublin. He needed a star artist for its opening night. He made an unusual choice, and invited Seán Keating. Had he invited Keating 30 or 40 years previously he would have invited a giant of his trade. Then Keating was regarded as one of Ireland’s greatest painters who had, in large canvases, mythologised the fighting men of the War of Independence, and the builders and engineers of the great Ardnacrusha project; the harnessing of the Shannon’s energy to power the fledging Irish Free State. In 1968, however, he admitted to Kenny ‘ I am dead as far as the art world is concerned’.