Search Results for 'George Quinn'
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Last month Galway Diary explored the sham legend that grew around the so-called ‘Empty frame’ on the wall of the Lynch’s Chapel, or Lady’s chapel, in the historic St Nicholas’ Collegiate church. The late Canon George Quinn pronounced that this was the very frame in which the Bishop of Clonfert, Walter Lynch’s sacred icon of the Madonna and Child once hung, before he was forced to flee just before the arrival of Cromwell’s soldiers in April 1652.
It is perhaps an indication of how Ireland was cut off from the rest of the world that no one here knew about the painting of the Virgin and Child, and its miraculous ’tears of blood’, that Bishop Walter Lynch brought with him to Gyor* in Hungary, in the middle of the 17th century.
One of Galway’s most enduring, most enjoyable, and most enjoyed institutions is the community based musical group, St Patrick’s Brass Band. The band was founded in Forster Street in 1896 and they have been entertaining Galwegians since.
If you think Saint Patrick’s Brass band seems to have been around forever, you are almost right. It was founded 119 years ago in 1896, in Forster Street by Peter Rabbitte, Michael Spelman, and Paddy Walsh. It was originally a fife and drum band known as St Patrick’s Fife and Drum Band Society.
I hope the recent scandals in the Catholic Church will not discourage the noble tradition of the cleric as the social champion of the people. It is time that we had their like to nail their colours to the mast once again. Growing up in the last century, I was familiar with such names as Fr James McDyer and his tireless campaign against the official neglect of Gleann Cholm Cile; and Canon George Quinn and his fight for better social housing. There were several others, who have spilled over into recent years, including Fr Peter McVerry and his fight for homeless people in Dublin, and Fr Harry Bohan and his belief in the staying power of families in rural Ireland. But the champion of them all, the priest with the soft voice and a twinkle in both eyes, was the indefatigable Monsignor James Horan. Not only did he re-design the village of Knock to make it more people friendly, he built schools, clinics, and a convent, and a vast basilica. He organised community water schemes, and forestry plantations, and built an impressive international airport in the bogs of Mayo.