Search Results for 'George Moore'
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The highly successful Lady Gregory Autumn Gatherings continue in Coole Park, Gort, Co Galway, running from Friday to Sunday, 23 to 25 September, and will this year recognise the remarkable influence of Lady Augusta Gregory on the development of Irish theatre and literature.
THE DREAMING House, Thomas Kilroy’s play based on the life of George Moore, has only been performed once - more than 20 years ago.
King Edward VII was known as ‘Peacemaker’ for his role in fostering good relations between Britain and France, he was renowned for his politeness and good manners, and throughout the continent he was affectionately called the ‘Uncle of Europe’.
THE FORGE at Gort literary festival, featuring readings, book launches, music, and exhibitions, returns to the south County Galway town tomorrow and Saturday.
THE FORGE At Gort literary festival, organised by the Western Writers’ Centre, returns on Friday March 25 and Saturday 26 to the south Galway town.
There is often more drama in the board room of the Abbey Theatre, Dublin, than what is presented on its stage. Following a famous conversation in Doorus House, Kinvara, one rainy afternoon in 1897, Lady Augusta Gregory of Coole Park, Edward Martyn of Ardrahan, and the young poet WB Yeats agreed to set up the Irish Literary Theatre. Theatre at the time was mainly influenced by the popular British music hall variety; and melodrama. It was agreed that day in Co Galway that the new Irish theatre would ‘embody and perpetuate Irish feeling, genius, and modes of thought’.
The highly successful Lady Gregory Autumn Gatherings will continue in Coole Park, Gort, from Friday September 24 to Sunday September 26. Recognising the remarkable influence of Lady Augusta Gregory on the development of Irish theatre and literature, this 16th gathering highlights her unique inspiration for the early foundations of the Abbey Theatre.
You might think that those at the core of the Irish literary renaissance at the beginning of the 20th century, were one big happy family beavering away in their rooms at Lady Gregory’s home at Coole, Co Galway. In those early days it was a house full of voices and sounds. Sometimes you heard WB Yeats humming the rhythm of a poem he was cobbling together; or the click-clacking of Lady Gregory’s typewriter as she worked on another play for the Abbey. There was the sound of the Gregory grandchildren playing in the garden; the booming voice of George Bernard Shaw, as he complains that he is only allowed to have either butter or jam on his bread, but not both to comply with war rations (He cheated by the way. He put butter on one side of his bread, and when he thought no one was looking, piled jam on the other!); or the voices of the artist Jack Yeats and JM Synge returning from a day messing about on a boat calling out to a shy Sean O’Casey to come out of the library for God’s sake and enjoy the summer afternoon.
I was always of the opinion that WB Yeats was a rather serious, impractical, pedantic man, sometimes lost in the unreal world of the fairies. However, Roy Foster’s epic biography of the famous poet *shows that like many of his contemporaries, WB was a very witty conversationalist.
Ireland has every possibility of getting back the 39 controversial paintings, willed to the Irish people by art collector Sir Hugh Lane at the beginning of the 20th century, but which remain in London because the codicil to his will was not witnessed. “Hugh Lane’s intentions were absolutely clear”, the dynamic director of the Hugh Lane (formerly Dublin City) Gallery, Ms Barbara Dawson said in Coole last weekend, “there is no reason on earth why the paintings are not on Irish soil permanently.”