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‘Opera has been well ahead of the Zeitgeist in embracing gender fluidity’

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IT WAS the chance purchase of a recording of Orfeo ed Euridice which led PE teacher Sharon Carty on a path that has seen her become one of Ireland’s finest mezzo-sopranos, performing across Europe to great acclaim. This year, she takes the lead role in the opera where, for her, it all began.

 

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