Search Results for 'Marie Mullen'

Druid Theatre yesterday announced a major new production of Samuel Beckett’s masterpiece Endgame. Directed by Garry Hynes, Endgame follows the Galway company’s acclaimed production of Beckett’s Waiting for Godot.

Druid Theatre yesterday announced a major new production of Samuel Beckett’s masterpiece Endgame. Directed by Garry Hynes, Endgame follows the Galway company’s acclaimed production of Beckett’s Waiting for Godot.

The Marie Mullen Bursary is Druid’s annual award for women working on the island of Ireland as theatre artists in the fields of design, directing and dramaturgy.

Druid Theatre Company recently announced a 10 venue summer tour of Billy Roche’s THE CAVALCADERS.

KATIE O'HALLORAN, a Dublin-based interdisciplinary theatre director and creator, was recently chosen as this year’s recipient of Druid’s Marie Mullen Bursary award.

THEATRE DIRECTORS Sarah Baxter and Emily Foran have been chosen as this year's recipients of Druid's Marie Mullen Bursary for Female Artists.

CHEKHOV'S MASTERPIECE The Cherry Orchard, and a tour of Galway as part of the 2020 Capital of Culture events, featuring one-act plays by Lady Gregory and Seán O’Casey, make up Druid's programme of events for next year.

DRUID THEATRE Company has announced its first major production for 2020 - a staging of Anton Chekhov’s The Cherry Orchard in a version by the late, great, Tom Murphy.

Druid presents the world premiere of EPIPHANY a new play by Brian Watkins.

Druid Theatre Company was founded in May 1975 with the initial aim of providing theatre entertainment for tourists in Galway. It opened with three full length plays on successive nights in the Jesuit Hall. The season was a success so they made the very brave decision to operate the company on a full-time basis. Their productions were presented on a fit-up basis, as were a number of lunchtime shows in the Fo’Castle in Dominick Street. They converted this latter venue into a fully equipped pocket theatre seating 47 people. It was a popular venue, well supported, but there were problems with regard to backstage, storage, and office space.