Search Results for 'Liam Briain'

19 results found.

The ‘Gaelicising’ of Galway city

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Week II

‘For the first time ever I felt fear in the theatre’

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‘After a pantomime rehearsal one year I was asked to lock up as the director was in a hurry. A young lady asked me to allow her stay another while in the old Green Room to finish her costume. I reluctantly agreed, telling her to make sure that the lights and heaters were off before she left.

MacNeill feared a bloodbath if unarmed Volunteers came out

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‘How did the Germans receive our plans? With polite incredulity’…..wrote Liam Ó Briain, the Galway professor who took part in the 1916 Rising, ‘ignorant of Ireland they viewed us as forlorn visionaries, and even doubted whether we would be rash enough to challenge the armed might of England’.

The war against tuberculosis in the west

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Week II

‘I am an international socialist,’ shouted Pádraic Ó Conaire

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In his famous statue of the writer and Irish scholar Pádraic Ó Conaire, the sculpture Albert Power presents a brilliant likeness to the man Galway knew as he went about the town. Liam Ó Briain, a friend and fellow Irish enthusiast, remarked that Albert Power had captured exactly how the man looked. Meeting Ó Conaire in town one evening, Ó Briain remembered that he looked in reality as he is on the statue: ‘the stick in his right hand, the little hat on his head’, a face that could show his ‘puckish humour.’ *

Padraic Ó Conaire could write ‘pretty racy stuff’

Week III

Galway Observer, May 27, 1922

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“On Thursday night a crowd numbering several thousand assembled inside the Square, and two men set to work sawing at the base of life-size bronze monument of Lord Dunkellin, a brother of the notorious landlord, Lord Clanricarde of Portumna. In a scene reminiscent of the downfall of Saddam Hussain’s statue in Baghdad, shortly after the invasion of Iraq in 2003, a rope was fastened around Dunkellin’s neck, and with a mighty pull, down it fell amidst great applause.”

‘Every time I looked up I saw my father’

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Even before it came to Galway the statue of Sean Pádraic Ó Conaire was causing a stir. As Albert Power carved away in his stone-yard at Berkeley Street, Dublin, word had got out that this was a work of exceptional standards.

Michael Collins remembered a debt for ‘measly £10’

An Taibhdhearc, Ireland’s only Irish language theatre, situated in Middle Street, the very heart of Galway, grew out of a conversation between two remarkable men, Professor Liam Ó Briain and Dr Séamus Ó Beirn.* Both men, passionate Irish speakers, believed that a lively Irish language theatre would promote Irish in an imaginative way.

Friends in strange places.

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Our friend ‘Captain H’ who had ingeniously planted a dictaphone in the confessional under the stairs in the Town Hall prison, was up to his old tricks again. Somehow he had managed to plant a ‘friendly’ Sergeant Gates who chatted and smiled, and was a friend to all, and dangerously caught numerous snatches of conversation from the hundreds of prisoners within. These were reported to Captain H.

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