Search Results for 'Frank'
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In the 1650s, Catholics were uprooted from their productive, arable, lands in several Irish counties by Oliver Cromwell’s Protestant army and forced at musket point to desolate, barren, Connacht. Their confiscated lands, the better holdings in Ireland, were distributed to Protestant settlers, Cromwell’s army as pay, and carved up to pay debts. Maps of Ireland, pre and post Cromwell, detailing the regression of the predominantly Catholic associated Irish language and customs point to a culture that was deliberately and officially forced to areas thought of as being so inhospitable they would not survive. County Mayo was included among these religious and cultural ghettoes. The living standards of the banished Catholics fell dangerously low and remained so for centuries. Christian duty led some within the Protestant clergy to later establish evangelical missions in the wild Irish west to give relief to the descendants of those very same Catholics. Salvation and, dishonourably, food were offered through conversion to Protestantism. Whereas 17th century Protestants believed it was God's will that godless Catholics be sent to suffer and perhaps perish in Mayo, 19th century Protestants believed it was His will that these (still godless) Catholics be reclaimed so that they might be saved. The Rev Edward Nangle's Achill Island Mission set out to do just that in 1831.
GERRY CONNEELY'S Espresso Theatre Company graced the Town Hall studio last week with his warmly funny, Valentine's-appropriate, love-themed musical play That Same Old Story.
When you look back at the recent history of Galway, and when I say recent, I mean the last forty or fifty years, you see that the progression of the city is built around a group of individuals in all spheres, political, cultural, musical and otherwise, who somehow contributed to this conviction of Galway as being a place apart.
GERRY CONNEELY returns to the Town Hall studio on St Valentine’s week with a delightful musical play on the subject of romance, The Same Old Story. The show portrays Conor and Katie, two 20-year-olds in the first flush of new love and Frank and Maggie, an older couple, who are contemplating divorce.
KATIE AND Conor are 20 and in the first flush of new love. Frank and Maggie are middle aged and in the throes of divorce. Two different worlds, but both in the same restaurant.
Eddi Reader, one of popular music’s most thrilling and affecting performers, returns to the Town Hall Theatre next month. Having first hit the limelight in the 1980s with Fairground Attraction, Reader’s subsequent solo albums, most recently 2014’s warm and deeply personal Vagabond, have cemented her image as a powerful figure in British music with beautifully raw vocals and an unparalleled romanticism.